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Suffering and the End of Suffering
Spring 2001   Vol. 17 #2
Spring 2001   Vol. 17 #2

A Letter to Myself

By Edward Espe Brown, Jusan Kainei

 
 

The following is a response to Edward Espe Brown’s Spring 2001 article “Rhubarb.”

 

Dear Inquiring Mind,

That article called “Rhubarb” (Spring 2001) was certainly a sorry comment on the state of affairs of Zen in America. Just how is it that a so-called Zen teacher can be having temper tantrums and seemingly boundless attachment to the results of his efforts plus such slimey (is there any other word for it?) obsessive worry about what people will think of him and his miserable efforts? Ed Brown does not sound like a Zen master to me. First of all, his recipe should have worked better; secondly, even if it didn’t, what’s the big deal about falling on your face? If you smash some teeth in the process, go to the dentist and get the repairs done. What’s with this guy? And the guy who authorized him! Is this what the Zen lineage has sunk to here in America? I think I’ll switch to Vipassana.

Jusan Kainei, Anytown, USA

 

Ed Brown’s “tart” response:

I, too, fear for the survival of Dharma in the West, considering that it has sunk so low that a blind donkey such as I could be entrusted with its teaching. But let’s face it. There are a lot of expert Dharma teachers out there, and only a few blind donkeys, so we need not worry that much. Besides, the Dharma can take care of itself.

Now to your point of tantrums and attachments being signs of the lack of attainment. You are absolutely right, and while many students and teachers of the Dharma are attached to their attainment and consequently deny or repress their true thoughts and feelings (which would give them away), I am rather attached to my lack of attainment. Perhaps I will start the “Get Real” School of Zen.

As for you, with a mind and heart like yours, perhaps with some years of zen practice under your belt, you could be become a teacher yourself and lead us all to complete and perfect enlightenment. I look forward to the day! By the way, best of luck with that and with letting go of your limited ideas about what constitutes true awakening. Having or not having, attaining or not attaining, if you look closely, it’s all, “subtle feeling reveals illumination, and we become children of the Buddha.”

 

Postscript:  Ed Brown suggested that if we were going to republish “Rhubarb” in the Inquiring Mind archive, we might also include this exchange. He added, “I found it rather fun, since I wrote both the letter and my response to the letter. Not everyone realized that that was the case.”

 

∞

 

From the Fall 2001 issue of Inquiring Mind (Vol. 18, No. 1)
Text © Edward Espe Brown

Topics

Awakening, Judgment, Dharma/Dhamma, Humor, Self/No-Self, Teachers, Zen


Author

Edward Espe Brown is a Soto Zen priest and an accomplished chef, who helped found Greens Restaurant in San Francisco. When he was ordained as a disciple of Suzuki Roshi in September 1971, he received the Dharma name Jusan Kainei, which means "Longevity Mountain, Peaceful Sea." Brown leads the Peaceful Sea Sangha in Fairfax, California. He is author of the classic Tassajara Bread Book (Shambhala, 1970) and other books.

Artist

Marlene Tobias explores the human form through a variety of media—charcoal, pastel, clay, stone—as a path to authenticity and interconnectedness. She has studied figure drawing with Michael Markowitz in San Francisco, California, and sculpture with Amana Bremby Johnson and the Italian master Bruno Luchessi.

Author

Edward Espe Brown is a Soto Zen priest and an accomplished chef, who helped found Greens Restaurant in San Francisco. When he was ordained as a disciple of Suzuki Roshi in September 1971, he received the Dharma name Jusan Kainei, which means "Longevity Mountain, Peaceful Sea." Brown leads the Peaceful Sea Sangha in Fairfax, California. He is author of the classic Tassajara Bread Book (Shambhala, 1970) and other books.

Artist

Marlene Tobias explores the human form through a variety of media—charcoal, pastel, clay, stone—as a path to authenticity and interconnectedness. She has studied figure drawing with Michael Markowitz in San Francisco, California, and sculpture with Amana Bremby Johnson and the Italian master Bruno Luchessi.

 
 
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